Artists in Training
The Merola Opera Program, under the artistic direction of the San Francisco Opera Center: Carrie-Ann Matheson, Artistic Director and Markus Beam, General Manager offers performance, training, and career development opportunities for young professional singers, coach/pianists, and stage directors.
In addition to numerous performance opportunities, each participant receives daily individual coaching in the area of their discipline, classes in diction, acting and stage deportment, movement, financial planning, mental health/wellness, leadership coaching, physical health/wellness, and branding/social media from leading professionals in the opera field. In addition, internationally renowned artists conduct a series of public master classes.
The Merola Opera Program provides a weekly stipend, round-trip transportation from place of residence to San Francisco, and shared-accommodation housing. Please note: the Merola Opera Program only provides housing to participants and does not provide housing to spouse/partner, children, other relatives, or pets.
For five years after leaving Merola, alumni may be eligible, with Merola’s approval, to receive up to a total of $12,000 in career grants, with a maximum of $6,000 in any single year.
Each year singers and pianists are chosen from the Merola Opera Program to join San Francisco Opera’s prestigious Adler Fellowship Program. The Adler program gives 11 young artists a year a performance-oriented experience, providing individualized and advanced training. Adler Fellows are engaged for roles in San Francisco Opera’s season, as well as performing in Opera Center programs and activities. The Adler Fellowship is a renewable yearlong residency and is a salaried position.
Merola Opera Program and San Francisco Opera Center may engage singers and pianists for a Schwabacher Recital to take place in the spring of 2026 at a San Francisco venue. These recitals have been endowed in perpetuity by the generosity of celebrated Bay Area singer, scholar, and teacher James Schwabacher.
MEROLA OPERA PROGRAM 2024 AUDITIONS
Program Dates
Pianists: Thursday, May 29 through Saturday, August 16, 2025
Singers: Monday, June 2 through Saturday, August 16, 2025
Director: Monday, June 9 through Saturday, August 16, 2025
Application Deadline
The deadline to apply for the 2025 Program was July 31, 2024, and applications are now closed.
Audition Dates
New York, NY: September 24-30, 2024
Atlanta, GA: October 1, 2024
San Francisco, CA: October 7, 2024
Houston, TX: October 10-11, 2024
Chicago, IL: October 13-15, 2024
Audition Process
Singers and pianists selected for an in-person audition will be notified following the video prescreening round, approximately 3 weeks before their audition date. Best efforts will be made to schedule applicants selected for in-person auditions in their chosen audition location.
Directors chosen for a virtual interview will be notified and scheduled via Zoom in November 2024.
Please note that date preferences will be taken into strong consideration but cannot be guaranteed.
A photo ID must be shown before in-person auditions.
Director interviews will be approximately 30 minutes in length and will be scheduled via Zoom.
In-Person Audition Requirements for Singers
Singers should prepare five selections including the following:
– Four opera arias, one of which must be in French.
– One art song or musical theatre/cabaret selection in the language of your choice.
Singers may begin with a selection of their choosing, following the guidance in the Audition Requirements section of the application, and should be prepared to perform any selection on their audition list. The audition panel may ask for additional selections.
Pianist Fee
None. A pianist is provided free of charge. You may bring your own pianist at your own cost.
In-Person Audition Requirements for Pianists
Pianist/coach applicants granted an audition must choose ONE option from EACH of the following five categories. All selections are to be PLAYED AND SUNG by the applicant. Sight Reading will be included in the audition.
Pianists may begin with a selection of their choosing and should be prepared to play and sing any of their selections following the guidance in the Audition Requirements section of the pianist application.
– EITHER the Act 1 finale from Così fan tutte OR the Act 2 finale from Le nozze di Figaro
– A brief secco recitative from a Mozart opera
– An aria or scene from an opera by Puccini or Richard Strauss
– One aria from a Bel Canto opera
– One art song
Pianist/coaches should be prepared to begin their live audition with a selection of their choice, after which the audition panel may ask for additional selections.
Please note: Merola Opera Program does not permit audition swapping. If you are unable to attend your assigned audition, please contact auditions@merola.org for assistance.
Virtual Interview Requirements for Directors
Directors chosen for a virtual interview will be notified and scheduled via Zoom in November 2024.
Merola Stage Director applicants should be prepared to discuss, in detail, concepts for productions of operas they wish to direct. Please be ready to discuss general philosophy toward production. Applicant is asked to include a brief statement in the application describing their interest and background in becoming a young artist stage director in the Merola Opera Program. Applicants should be prepared to screen share an up-to-date portfolio for discussion at the interview.
Payment Information
A weekly stipend is provided.
The Merola Opera Program provides a weekly stipend, round-trip transportation from place of residence to San Francisco, and shared-accommodation housing. Please note: the Merola Opera Program only provides housing to participants and does not provide housing to spouse/partner, children, other relatives, or pets.
For five years after leaving Merola, alumni may be eligible, with Merola’s approval, to receive up to a total of $12,000 in career grants, with a maximum of $6,000 in any single year.